TypograFriday: Wayne White

maybenowillgettherespect

Todd Oldham has a book coming out in a few days, entitled Maybe Now I’ll Get the Respect I So Richly Deserve. It’s not about himself; he’s got respect aplenty after all. It’s about Wayne White, and honestly it’s a hilariously appropriate title for the first comprehensive monograph of an artist who’s been making awesome and original art for 30 years.

beautysembarrassin
Beauty’s Embarrassin!

whatditellya
What’d I Tell Ya?

His M.O. for the last decade has been basically painting giant, usually funny typography “realistically” into mass-produced “kitsch” landscape paintings — that is to say, using their perspective and lighting and often reflections and gravity too. This, years before things like Panic Room‘s opening titles made a trend of floating type in physical perspective, or for that matter before indie artists made upcycling/overpainting found art cool.

Oh, and he used to do sets for Pee Wee’s Playhouse, and directed Peter Gabriel’s video for “Big Time” — possibly the best video ever. Several more paintings [PG-13 for language], and the Big Time video (because we both know it’s been too long) after the jump.

humanfuckinknowledge
Human Fuckin’ Knowledge, (the very first of the treated landscapes, from 1999)

dropthecowboyact
Drop the Cowboy Act

stillhot
Still Hot

Donald-Judd-Was-a-Son-of-a-Bitch-Wrecked-His-Train-in-a-Whorehouse-Ditch
Donald Judd Was a Son of a Bitch Wrecked His Train in a Whorehouse Ditch

sorta
Sorta

I-Am-Takin-That-Computer-Away
I Am Takin’ That Computer Away

fuckyou
Fuck You

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