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You know how But Does It Float fades in its wordless content slowly and one at a time, leading to a sort of dreamlike user experience? Well the other day, I was wading through its abstract wonderland and a few scenes from another world caught my eye. They’re by notable generative artist Tim Hutchinson. Impressed and intrigued, I looked into Hutchinson further. He’s made algorithmically generated art using a variety of software and runs a thoughtful and serious blog about Fractal Art called Orbit Trap. The ones that most impressed me were made in a program called Fyre. I’m not the right sort of a geek to figure out how to run this on a Mac (command line? DarwinPorts? Unix?); I’d appreciate anyone’s help because, damn do I want to play with that. Please. Four pieces of iterative art I did today, after the jump.
One of my favorite artists ever is Ben Shahn; his linework was terrific, his color sense really interesting, his sociopolitics inspirational, and his handlettering fantastic. Above and below, a few scans from the book November Twenty Six Nineteen Hundred Sixty Three, a Wendell Berry poem about JFK’s death which he illustrated and lettered. I’ve tried lettering with jaunty mixes of thicks and thins like this before, and let me tell you, it’s super tough to keep it from not looking totally goofy. That he set type as serious as a poem about national grieving using it is astonishing.
A few other of his pieces which incorporate his fantastic lettering:
Public Sale, 1956
Parade for Repeal, 1933
Maimonides, 1954 Teach thy tongue to say I do not know and thou shalt progress? Such a good quote. For those of you who are font-hungry, there are (at least) two fonts on the market which are based on Shahn’s lettering: Bensfolk from Haroldsfonts and thorny tuscan Rendevous GRP from Grype. Although both are pretty nice, the supersmart Opentype version with dozens of smart contextual alternates that rotate in… is sadly yet to be made. You’ll just have to use a pen, folks. We Experts are always on the lookout for new (or at least new-to-us) artists over whose work we can swoon. This time it’s David Fullarton. Fullarton’s art celebrates the banality of daily life, interpersonal communication and modern culture with obsessive humor and observational wit. He plays with context and gives simple phrases new meaning through their juxtaposition with unexpected imagery. Charts and graphs that embody uncomfortable silences and compulsive criticism? Passive-aggressive faux bulletin-board messages? Notebooks filled with intimate trivialities and ephemera? Miscellany, words and understated colors? Count me in. Originally from Scotland, Fullarton lives in San Francisco (!) with his wife and kids. I love so much of Fullarton’s work that it’s difficult for me to pare it down to fit in a post, so enjoy more pieces after the jump.
Intrigued? Here’s LOTS more! Continue reading David Fullarton
We’ve just wrapped up our last holiday sale of the year, whew! It was the RISD Alumni sale, which has somewhat of a different crowd (and vendors) than our usual craft fair. A snippet of dialogue overheard in the morning: “What’s RISD?” / “It’s the Rhode Island School of Design, the best art school in the country” / “Oh… Like, the street!” Non-SF readers please note that Rhode Island is a street in the Potrero Hill neighborhood. SF readers, please note that it also is a state. Oh and that’s where the best art school in the country is, y’all. Here’s some of our fellow alumni who were there with stellar work. hk designs | Hiroko Kurihara Pie Bird Press | Hannah Berman Hillary Bird Sarah Richardson Jewelry Lian Ng for PubliQue Mediums to Masses | Sarah Hirneisen Eieio | Jean Orlebeck Aaron Silverstein James Cogbill Daniel Oakley | Oliblock
We’ve said it before, and I’m sure we’ll say it again, but we are super into Tim Burton. Apparently the MoMA is too; they are housing a Tim Burton exhibition from November 22, 2009–April 26, 2010. I don’t really think there is anything to say other than that you should go see it. I know we would, if we were going to be in New York. via Swiss Miss I’ve been a fan of Kate Bingaman-Burt’s ongoing project Obsessive Consumption for quite some time. If you aren’t familiar with it, I recommend spending some time checking out the tons of illustrations she has on flickr .
Now she is working on a new project and she wants your mixtapes. Mixtapes have played an important role in my life — if I can unearth some of the mixtape masterpieces that Sivan and I made, I will definitely send them in. Read below for Kate’s description of the project and submission information:
We’re really enjoying the “Screen Series” photos from New York photographer Matthew Tischler. By having the screens they are shot through be the object that is in focus, they make pixellations of the background scenes in a very analog way: the Tetris-y lines of raindrops, a scene that looks like a blowup of an 80s console game replete with faceless sprites, a blur that looks like low resolution television is really just focal length. I am reminded of the dreamlike qualities of closeups of television images in films like Until the End of the World, Blue Velvet, Videodrome or John Carpenter’s Prince of Darkness. And of course nothing says summer in the South (and thus nostalgia) like a screen door.
The first print above, with the rain, is available inexpensively through 20×200. via non blog |
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