Down the Fractal Beanstalk

You know how But Does It Float fades in its wordless content slowly and one at a time, leading to a sort of dreamlike user experience? Well the other day, I was wading through its abstract wonderland and a few scenes from another world caught my eye.

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They’re by notable generative artist Tim Hutchinson. Impressed and intrigued, I looked into Hutchinson further. He’s made algorithmically generated art using a variety of software and runs a thoughtful and serious blog about Fractal Art called Orbit Trap.

The ones that most impressed me were made in a program called Fyre. I’m not the right sort of a geek to figure out how to run this on a Mac (command line? DarwinPorts? Unix?); I’d appreciate anyone’s help because, damn do I want to play with that. Please.

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Four pieces of iterative art I did today, after the jump.

Continue reading Down the Fractal Beanstalk

TypograFriday: Shahn

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One of my favorite artists ever is Ben Shahn; his linework was terrific, his color sense really interesting, his sociopolitics inspirational, and his handlettering fantastic.

Above and below, a few scans from the book November Twenty Six Nineteen Hundred Sixty Three, a Wendell Berry poem about JFK’s death which he illustrated and lettered. I’ve tried lettering with jaunty mixes of thicks and thins like this before, and let me tell you, it’s super tough to keep it from not looking totally goofy. That he set type as serious as a poem about national grieving using it is astonishing.

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A few other of his pieces which incorporate his fantastic lettering:

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Public Sale, 1956

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Parade for Repeal, 1933

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Maimonides, 1954

Teach thy tongue to say I do not know and thou shalt progress? Such a good quote.

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For those of you who are font-hungry, there are (at least) two fonts on the market which are based on Shahn’s lettering: Bensfolk from Haroldsfonts and thorny tuscan Rendevous GRP from Grype. Although both are pretty nice, the supersmart Opentype version with dozens of smart contextual alternates that rotate in… is sadly yet to be made. You’ll just have to use a pen, folks.

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David Fullarton

We Experts are always on the lookout for new (or at least new-to-us) artists over whose work we can swoon. This time it’s David Fullarton.

Fullarton’s art celebrates the banality of daily life, interpersonal communication and modern culture with obsessive humor and observational wit. He plays with context and gives simple phrases new meaning through their juxtaposition with unexpected imagery.

Charts and graphs that embody uncomfortable silences and compulsive criticism? Passive-aggressive faux bulletin-board messages? Notebooks filled with intimate trivialities and ephemera? Miscellany, words and understated colors? Count me in.

Originally from Scotland, Fullarton lives in San Francisco (!) with his wife and kids.

I love so much of Fullarton’s work that it’s difficult for me to pare it down to fit in a post, so enjoy more pieces after the jump.

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Intrigued? Here’s LOTS more! Continue reading David Fullarton

Pablo Lehmann

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I am loving these amazing cut paper* sculptures from Argentine artist Pablo Lehmann. I think the details are particularly beautiful.
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Continue reading Pablo Lehmann

TypograFriday: Neon Boneyard

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Check out these amazing images Pam Sattler from her visit to The Neon Museum in Las Vegas. 3310341205_7e55f99044_o

Continue reading TypograFriday: Neon Boneyard

RISDelightful

We’ve just wrapped up our last holiday sale of the year, whew! It was the RISD Alumni sale, which has somewhat of a different crowd (and vendors) than our usual craft fair. A snippet of dialogue overheard in the morning: “What’s RISD?” / “It’s the Rhode Island School of Design, the best art school in the country” / “Oh… Like, the street!” Non-SF readers please note that Rhode Island is a street in the Potrero Hill neighborhood. SF readers, please note that it also is a state. Oh and that’s where the best art school in the country is, y’all.

Here’s some of our fellow alumni who were there with stellar work.

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hk designs | Hiroko Kurihara
I got Sam one of her scarves a few years back: for every one of her items purchased she donates a polarfleece blanket to the homeless, which is a fantastically inspiring programs. Also, the felted wool scarves/blankets etc are superb and beautiful.

Pie Bird Press | Hannah Berman
We’re not in the habit of talking up other cardmakers but Hannah’s cards are really pretty special. You may have seen her work at Paper Source, on etsy (where you didn’t believe it could really be letterpress) or in magazines. Most letterpress work shies away from this sort of ink coverage, but she has giant swaths of bold color down.

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Hillary Bird
While we’re on other cardmakers… we’re proud to welcome Ms. Bird, whose indie-quirky sensibilities and hybrid of analog and digital techniques makes charmingly cute cards and prints.

Sarah Richardson Jewelry
Sarah’s had a ton of really beautiful jewelry, but her pod series in sterling silver is gorgeous (look for Sam to be sportin’ one soon), and she was super friendly with advice for us on making a living from our art.

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Lian Ng for PubliQue
His lasercut PopMats are so elegant and clever it’s hard to imagine throwing the fête that would be their match; this year there were votive holders as well that fold into a really interesting shape.

Mediums to Masses | Sarah Hirneisen
Sarah makes screenprinted glass jewelry, dishes and coasters under the name Mediums to Masses. But she’s definitely a consummate artist: not content to just have a successful product line, she’s produced a lot of thoughtful installation and gallery pieces too.

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Eieio | Jean Orlebeck
We saw Eieio papers first like 8 years ago at Flax. They are some of the most elegant modern giftwraps (and endpapers) around, and the original design from way back then remains fresh and charming.

Aaron Silverstein
I think the photo-guided laser-cut ornaments and votive holders he was selling (and selling out of) at the show were slightly different than these, which he designed for Roost, but no less beautiful. Poking around his website for images of them, I found a range of remarkable work that I would love to see (and own); a fantastically talented industrial designer with elegant lines and a special attunement to nature’s forms.

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James Cogbill
James had tshirts of this painting based on Midwestern fields for sale that I totally was coveting. His thoughtful abstractions wouldn’t seem out of place on my favorite blog but does it float

Daniel Oakley | Oliblock
Oliblock: Like Lego Technics met Frank Gehry, magnetic and interlocking and awesome.

drops of sweetness

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These sugar drops by Joon&Jung make me want to put sugar in my coffee every morning.

Tim Burton at the MoMA

We’ve said it before, and I’m sure we’ll say it again, but we are super into Tim Burton. Apparently the MoMA is too; they are housing a Tim Burton exhibition from November 22, 2009–April 26, 2010. I don’t really think there is anything to say other than that you should go see it. I know we would, if we were going to be in New York.

via Swiss Miss

Kate wants your Mixtapes

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I’ve been a fan of Kate Bingaman-Burt’s ongoing project Obsessive Consumption for quite some time. If you aren’t familiar with it, I recommend spending some time checking out the tons of illustrations she has on flickr .

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Now she is working on a new project and she wants your mixtapes. Mixtapes have played an important role in my life — if I can unearth some of the mixtape masterpieces that Sivan and I made, I will definitely send them in. Read below for Kate’s description of the project and submission information:

It is official. Mixtapes are almost impossible to find in the wild. Big thrift stores don’t carry them, small thrift stores sometimes have them, but not often. People are more likely to throw away or keep a mixtape instead of donating them to their local thrift store. Even when you donate to the goodwill they throw them away.

So, I want to draw your mixtapes. I want your sad songs, you love jams, your sing at the top of your lungs car tunes, your break-up tape, your make-up tape and your BFF-4evah cassette.

I am only drawing the tape. If you want to participate, please snap a picture of the best side of your favorite tape and email it to me or upload it to your flickrstream and let me know.

Check out some of the drawings of the tapes that I have already received.

Matthew Tischler

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We’re really enjoying the “Screen Series” photos from New York photographer Matthew Tischler. By having the screens they are shot through be the object that is in focus, they make pixellations of the background scenes in a very analog way: the Tetris-y lines of raindrops, a scene that looks like a blowup of an 80s console game replete with faceless sprites, a blur that looks like low resolution television is really just focal length. I am reminded of the dreamlike qualities of closeups of television images in films like Until the End of the World, Blue Velvet, Videodrome or John Carpenter’s Prince of Darkness. And of course nothing says summer in the South (and thus nostalgia) like a screen door.

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The first print above, with the rain, is available inexpensively through 20×200.

via non blog

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